• This week on Southeast Asian Archaeology: rare bronze Mahoratuek drums surface in Thailand, gold-glazed terracotta helps redraw Vietnam’s Ho Citadel, and Aceh War “loot” gets a long-overdue digital reckoning.⠀
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https://bit.ly/46lX88H
  • Circuits, Ceramics, and Colonial Archives is out now 🏛️🌊📜 CNY/Tết (Year of the Horse) greetings + this week’s theme: heritage in a hurry—Angkor’s “high risk” Baksei Chamkrong, Sibonga church repairs post-Odette, and Indonesia’s 152-site revitalisation push. Read: https://bit.ly/3Mswq7G
  • Heritage isn’t just awe—it’s upkeep. This week: a historic building floor collapse at Siak Palace, Beng Mealea’s walkway repairs, Ponagar Tower’s arts show paused over losses.⠀
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https://bit.ly/4chkwIb⠀
  • Biases, Bones & Burāq — this week’s Southeast Asian Archaeology newsletter is all about how small corrections can change big histories.⠀
⠀
We’ve got four fresh research reads:⠀
 🐟 Neolithic expansion that looks a lot more “rice and fish” once recovery bias is taken seriously⠀
 📜 An illuminated Qur’an section from Java on dluwang (treebark paper), with clues that push it earlier than you might expect⠀
 🐀 Timor-Leste’s giant/large murids, measured in detail to track changing ecologies (and a late crash)⠀
 ⚱️ Ban Non Wat grave size and offerings, mapping a sharp spike—and then easing—of social distinction⠀
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And for a screen break: a small mention of PBS’s Angkor: Hidden Jungle Empire.⠀
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Read the full roundup here: https://bit.ly/45Gh2uN ⠀
 #Archaeology #SoutheastAsia #Heritage #Anthropology #Museums #History
  • This week in Southeast Asian Archaeology: Sulawesi just delivered a headline-grabbing ~67,800-year-old hand-stencil date, Huế’s Imperial Citadel restoration has revealed a trilingual astronomical mural, and Malaysia’s new Guar Kepah Archaeological Gallery opens with the “Penang Woman” at centre stage. Deep time, dynastic science, and fresh public heritage spaces—come catch up on the week’s stories.⠀
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https://bit.ly/3NG7WIg
  • New week, new reads: a “Southwestern Silk Road” model for amber into Han China, the biggest Austroasiatic genomic dataset yet (with Dvaravati/Angkor-era signals), plus rock art methods and fresh motifs from Malaysia and Laos. Molecules, motifs, and migration stories — all in one roundup.

Amber, Ancestry and Arty hands https://bit.ly/3LAK20c
  • New year, new (very full) newsletter From Java Man coming home to Jakarta to Khmer sculptures heading back to Cambodia and a bleak month on the Thai–Cambodian border, catch up on a whole month of Southeast Asian archaeology: https://bit.ly/4syuWJh
  • This week’s Southeast Asian Archaeology newsletter is all about the invisible infrastructure of knowledge — the stuff behind the sites. We look at Cambodia’s push to access the late Emma Bunker’s notebooks as a potential roadmap to looted Khmer art, a Thanh Hóa village communal house where 47 imperial edicts were quietly stashed in bamboo tubes for centuries, and Jingdezhen’s “ceramic gene bank” in China, where millions of sherds and glaze recipes are treated like DNA for porcelain. From roof beams to databases, it’s a reminder that archives, records and lab data shape what we think we know about the past just as much as temples and shipwrecks do. Plus the usual mix of regional news, grants, jobs and heritage politics — link in bio/newsletter below.

https://bit.ly/3XIeV5h
  • Genomes point to a 60,000-year “long chronology” for the first settlers of Sahul, while new DNA links China’s hanging coffins to the modern Bo people. #southeastasianarchaeology
 
Read here: https://bit.ly/4a64D6z
  • Southeast Asia’s past is on tour this week — from Bangkok’s royal treasures in Beijing’s Palace Museum to Cham sculptures in Đà Nẵng, Khmer–Chinese exchanges in Phnom Penh, and 14th-century Temasek sherds greeting commuters in a Singapore MRT station. 

In the latest Southeast Asian Archaeology newsletter, a look at how exhibitions are carrying the region’s history into train platforms, diplomatic halls and hands-on museum workshops, plus what this means for soft power, heritage policy and public archaeology. US readers will also spot a small Thanksgiving note of gratitude to the people and institutions who keep these stories alive.

Read the full issue and subscribe here: https://bit.ly/4oeZz2S 

#SoutheastAsia #Archaeology #Museums #Heritage #Thailand #Cambodia #Vietnam #Singapore #Beijing #PalaceMuseum
Saturday, March 7, 2026
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Missing the boat on shipwreck treasures

12 July 2007
in Malaysia
Tags: ceramicsIslamic Arts Museum MalaysiaRoxanna Brown (person)shipwrecksSten Sjostrand (person)underwater archaeologyunderwater cultural heritage
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12 July 2007 (New Straits Times) – Lucien de Guise, curator of the Malaysian Museum of Islamic Arts, writes a column about the sale of shipwreck treasures in Malaysia.

Missing the boat on shipwreck treasures

JUST in case anyone thought that the last discussion about fakes was the end of the series, it was actually the beginning.
My email inbox is once again filling up with opportunities to detect the bad boys in a ceramics collection.

A short time after Peter Lam came from Hong Kong at the request of the Southeast Asian Ceramic Society to talk about “Detecting the Fakes”, we now have Roxanna Brown of the Southeast Asian Ceramics Museum of Bangkok giving her expertise on ceramic dates. In addition, there is Sten Sjostrand on the subject of “How to Identify Real Antiques from Fakes”.

It’s no wonder Malaysia is so interested in fakes. The nation is Public Enemy Number One in the all-round piracy league table, after China of course. On a per-capita basis, Malaysia is a clear winner.

It seems that the word “fake” has an irresistible attraction. If the talks were called “Kiln Technology of the 16th Century”, the turnout would be comparatively small. Issue a proper challenge, such as identifying fakes, and the people will beat a path to your lecture hall.
A bigger challenge is getting collectors to take an interest in the things that are being faked, including shipwreck ceramics. Nobody has tried harder than Sten Sjostrand. Facing the angry seas, he has recovered countless sunken cargoes and the barnacles that come with them. He has lectured endlessly on the subject, staged exhibitions and recently co-written a book.

Taking things to another level, Sten has introduced a subliminal message. Sharp-eyed visitors to Aquaria at KLCC will notice that there is more to look at than the fish. There are fragments of old Chinese ceramics littering the floors of the Aquaria tanks.

There can’t be many fish tanks in the world that use genuine shipwreck parts from half a millennium ago. Malaysia is the last place you would expect to find anything so authentic. Some of the fish may look like they are dead or clockwork, but the bits of broken pottery are the real thing. They are also for sale, or at least some closely related items are. You don’t need to be so sharp-eyed to spot the stall selling these wares on your way out.

…

Read the full editorial, Missing the boat on shipwreck treasures.

Books about shipwrecks and ancient maritime trade in Southeast Asia:
– Shipwrecks and Sunken Treasure in Southeast Asia by T. Wells
– Oriental trade ceramics in Southeast Asia, 10th to 16th century: Selected from Australian collections, including the Art Gallery of South Australia and the Bodor Collection by J. Guy

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