• Dynamite Doug, a podcast by Project Brazen and narrated by @ellewongster , takes a look at the looting of Cambodian cultural heritage by disgraced art dealer Douglas Latchford. Latchford facilitated the looting and sale of numerous Cambodian (and other Southeast Asian) artefacts which ended up in some of the most prestigious museums in the world, including The Met. Looking forward to the next episode!
There are a lot of news stories related to Douglas Latchford, the Pandora Papers, and cultural heritage looting on the website - link in description. #cambodia #looting #antiquitiestrade #dynamitedoug #podcast #archaeology #southeastasianarchaeology
  • It’s been a great week in Laos conducting a training workshop on rock art recording and other archaeological methods for the Department of History and Archaeology at the National University of Laos. The participants, both lecturers and students, were a great bunch to work with, and they picked up the principles really quickly. And as a bonus, we ended up finding more rock art than we originally expected! Looking forward to working with this bunch again in the future! #laos #nuol #fieldschool #xaingnabouli #paklai #rockart #archaeology #laoarchaeology #southeasgasianarchaeology
  • That’s a wrap for today! Learning how to systematically document a rock art site, from theory to practice. Some more data gathering tomorrow, and then putting all the information in the data after! #paklai #rockart #mekong #xayabouli #nuol #laosarchaeology #southeastasianarchaeology #laos
  • Last post of the year - looking back in the year that was archaeology in Southeast Asia in 2022. Check out the full post here: https://www.southeastasianarchaeology.com/2022/12/16/southeast-asian-archaeology-2022-year-in-review/

And see you in the new year! Best wishes to all for the holiday season!

#southeastasianarchaeology #southeastasianarchaeology2022 #recap
  • Last month I was at the Si Thep Historical Park in Phetchabun province - a less-known archaeological site, but an impressive one considering the ancient town has remnants dating from prehistoric times until the 13th century CE. Khao Klang Nok is a massive Buddhist stupa dating to the 8th or 9th centuries CE, located outside of the ancient town of Si Thep. I was able to get som cool shots from my drone, check out my post here: https://www.southeastasianarchaeology.com/2022/12/15/drone-flight-over-khao-klang-nok-si-thep-historical-park/

#khaoklangnok #sithephistoricalpark #phetchabun #drone #dronestagram #dvaravati #khmer #thaiarchaeology #southeastasianarchaeology #southeastasia #อุทยานประวัติศาสตร์ศรีเทพ #เพชรบูรณ์ #archaeology
  • Extended edit from Khao Klang Nok in Si Thep Historical Park, very grateful for the permission to take some shots for the @seameospafa post-#ippa2022 excursion.
  • Ending the second day of the @seameospafa #ippa2022 post-conference excursion on a high note - literally. Khao Klang Nok at the Si Thep Historical Park #southeastasianarchaeology #sithephistoricalpark #khaoklangnok
  • Terracotta elephant statue from the pre-Thang Long period, approximately 8-10th century. On display at the museum under the National Assembly Building in Hanoi. #vietnamarchaeology #southeastasianarchaeology #vietnam #hanoi #thanglong #terracotta #elephant #ceramics #ancientart
  • Earlier this week there was a news article about a Thai archaeologist’s attempt to repatriate a statue that was reportedly looted from Buriram province and now on display at the Metropolitan Museum of Art.
https://www.southeastasianarchaeology.com/2022/07/08/thai-archaeologist-on-mission-to-reclaim-ancient-khmer-sculpture-from-us/

This is the so-called Golden Boy, taken at the Met last December. The label calls it a Standing Shiva(?) and attributes it to the Cambodia, Siem Reap origin but it may be in fact a representation of Jayavarman Vi. You can see the museum info here: https://www.metmuseum.org/art/collection/search/39097?ft=khmer&offset=0&rpp=40&pos=3

#khmer #sculpture #looting #antiquitiestrade #themet #metropolitanmuseumofart #khmerarchaeology #thaiarchaeology #southeastasianarchaeology #southeastasia #museums #repatriation #angkor #cambodia #thailand #buriram
  • What’s in your field kit? Here’s what’s in mine: https://www.southeastasianarchaeology.com/2022/07/04/whats-in-my-archaeology-field-kit-june-2022/ #fieldwork #fieldgear #camera #drone #archaeology #photography #videography
Wednesday, March 22, 2023
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Home » Indonesia » An ocean sewn with islands – and shipwrecks

An ocean sewn with islands – and shipwrecks

15 July 2021
in Indonesia
Tags: legislationunderwater cultural heritage
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via Jakarta Post, 01 July 2021: An editorial by Dr Natali Pearson on Indonesia’s job creation law and how it affects underwater cultural heritage.

The era of commercial shipwreck salvage in Indonesia came to an end with the introduction of a new Heritage Law No. 11/2010. Since that time, Indonesia has had a moratorium on commercial shipwreck salvage, made permanent through Presidential Regulation 44/2016. However, the situation has again changed with the introduction of the Job Creation Law No. 11/2020, which seeks to facilitate business, reduce bureaucracy and boost investment. New regulations associated with the Job Creation Law have been coming into effect over the last few months. One of these is Presidential Regulation No. 10/2021, which effectively overturns the permanent moratorium and reopens shipwreck salvage to commercial investment.

Commercial exploitation is explicitly banned by the 2001 UNESCO Convention on the Protection of the Underwater Cultural Heritage, but, as it is not a signatory, Indonesia is not obliged to abide by these principles. These changes have come through the Office of Coordinating Minister for Maritime Affairs and Investment. The ministries usually charged with managing shipwrecks and maritime heritage – the Maritime Affairs and Fisheries Ministry and the Education and Culture Ministry – must now navigate the complex new laws and draft additional technical regulations in order for commercial surveying and salvaging activities to re-commence.

In doing so, they will need to consider how to enforce archaeological standards and involve local maritime archaeologists. It is understood that officials are considering how to restrict the sale of salvaged objects such that they cannot leave the country. This points to a rising heritage nationalism in Indonesia and suggests a greater willingness to recognise shipwrecks with foreign origins or cargo as essential considerations in conceptualising Indonesian maritime history.

Source: An ocean sewn with islands – and shipwrecks – Fri, July 2 2021 – The Jakarta Post

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