• A piece of impressed pottery at the Nong Ratchawat site in Thailand. I’m out in the field today! With colleagues from @seameospafa, Silpakorn University and the Fine Arts Department filming training videos (more details on those soon). It’s nice to be down in the dirt again... #archaeology #thailand #suphanburi #neolithic #ceramics #nongratchawat #thaiarchaeology #southeastasianarchaeology #fieldwork
  • My last post of the year on the main website is a bumper issue on the highlights from this past year in Southeast Asian Archaeology. Link in the bio or here:https://www.southeastasianarchaeology.com/2020/12/29/southeast-asian-archaeology-2020-year-in-review/
#southeastasianarchaeology #yearinreview
  • Non-archaeology post, BLACK FRIDAY SALE: A couple of special deals for @adobe products and @expressvpn until 28 November. These are software that I actually use in my day-to-day work, so they might be useful to you too. 24% off for Adobe Creative Cloud (more if you’re a student or teacher!) and 3 months free for a 12-month subscription to Express VPN. Link below and in bio:
https://www.southeastasianarchaeology.com/blackfriday2020/
  • 1) Bangles from Burial 49, Ban Chiang early-middle period. 2) Bent spear tip from Burial 76. 3) The latest volumes from White and Hamilton on the archaeology of Ban Chiang, a significant Unesco World Heritage Site in Thailand. I’m looking for reviewers for the SPAFA Journal @seameospafa (ideally a Thai and/or a professional archaeologist) if you’re interested, send me a PM. #banchiang #thailand #bronzeage #udonthani #book #upenn #booksforeview #thaiarchaeology #southeastasianarchaeology #prehistory #neolithic #thaihistory #บ้านเชียง #unescoworldheritage
  • Entry to Wat Chedi Luang is not much, 40 baht for adults or $US1.30 - but when we entered there was nobody at the booth and the groundskeeper told us to go right in - the lack of tourists meant the inability to pay for ticketing staff. Heritage sites dependent on tourism are taking a beating, like the rest of the industry. We left a small donation to the temple, and at every temple we visited, to help for its upkeep. #covid19 #heritagetourism #archaeotourism #chiangmai #thailand #watchediluang
#วัดเจดีย์หลวง #thaiarchaeology #thaiarchitecture #lanna #lannaculture #southeastasianarchaeology #archaeology #archaeologytravel #oldchiangmai #southeastasia #northernthailand #ancientruins
  • Check out my story for the Night at the Museum event at the Bangkok National Museum - in conjunction with Thai Museums Day on September 19. The museum hosted a tea party with musical and dance performances, followed by guided tours at the galleries. It was a good opportunity to catch the new exhibition ‘San Somdet’ - an exploration of Thai history, archaeology and culture through the correspondence of two princes. #bangkok #thailand #nationalmuseum #nationalmuseumbangkok #nightatthemuseum #sansomdet #thaimuseumday #thaihistory #thaiarchaeology #southeastasianarchaeology
  • In Chiangmai yesterday and today and most of my trip was concentrated in the old city of Chiangmai. Wat Chedi Luang, located close to the centre of the city, is easily the largest stupa in the area despite it incomplete state. Built at the end of the 14th century and damaged by earthquake in the 15th century, the chedi once housed the Emerald Buddha that had previously resided in Luang Prabang and is now in Bangkok. H/T to @pathsunwritten for his guides to Chiangmai. The history and archaeology of northern Thailand is unfamiliar to me, what else should I visit, during my next trip to Chiangmai?
#chiangmai #thailand #watchediluang
#วัดเจดีย์หลวง #thaiarchaeology #thaiarchitecture #lanna #lannaculture #southeastasianarchaeology #archaeology #archaeologytravel #oldchiangmai #southeastasia #northernthailand #ancientruins #emeraldbuddha
  • Chedi Chiang Lom, the oldest building in Wat Chiang Man วัดเชียงมั่น, itself the oldest temple in the old city of Chiangmai. The temple was built in 1297, while King Mengrai was building his new city of Chiangmai. The Chedi is similar to Wat Chang Lom in Sukhothai. #วัดเชียงมั่น #chiangmai #chedi #stupa #elephant #thailand #thaiarchaeology #southeastasianarchaeology #lanna #buddhism #oldcity #ancientarchitecture
  • The Big Bad Wolf book sale might sound familiar if you live in Southeast Asia (especially Malaysia and Thailand), and this year due to the pandemic they
  • Gold leaf relic from the 11-12th century, found inside one of the Khmer temples in Northeast Thailand (I
Friday, February 26, 2021
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Home » Laos » The Vessantara Jataka on the move

The Vessantara Jataka on the move

Tags: ArtBritish LibraryBuddhismdocumentary heritageepigraphyexhibitionsJataka Tales (literary work)Leedom Lefferts (person)merit-makingmural
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Illustrate Scroll from Kalasin. Source: British Library Asian and African Studies Blog, 20200115

Illustrate Scroll from Kalasin. Source: British Library Asian and African Studies Blog, 20200115

via The British Library Asian and African Studies Blog, 15 January 2020: Blog post by Leedom Lefferts in conjunction with the exhibition on Buddhism at the British Library about long, illustrated scrolls in Laos and Northeast Thailand.

Illustrated manuscripts are rare outside major cities, and the usual medium for Buddhist sacred texts is narrow palm leaf manuscripts which are usually not illustrated. Older Northeast Thai-Lao and Lao wat were almost entirely constructed of easily available wood which is not amenable to murals. The oldest illustrated materials now found in Northeast Thai and Lao wat are colored lithographs produced by the S. Thammapakdi company, dating to the early 1900’s, and sets of these prints depicting the lives of the Buddha and of Prince Vessantara are often found mounted on the walls of wooden preaching halls. But the tradition of long portable painted scrolls is arguably earlier, and may have been brought to the Lao through long-standing connections with India.

…

The ingenuity of the Lao is that they have taken these scrolls, best seen “in motion”, and incorporated them into a two-day merit-making festival, the Bun Phra Wet (the Merit-making Festival for Prince Vessantara, Phra Wet). The first day, muu hom (Lao; Thai, wan ruam), the day of coming together, includes visits by friends and relatives from more distant villages to the celebrating community. More importantly, it culminates in welcoming the return to the community of Prince Vessantara and his family, the Prince embodied in the scroll which the people in procession carry aloft. In this way, the people re-enact the beginning of the story’s climax, when they recognize their belief in the justice of Prince Vessantara’s actions and invite him to return home.

The Vessantara Jataka on the move

Source: The Vessantara Jataka on the move – Asian and African studies blog

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