• New issue out now — and it’s a bumper one.⠀
⠀
This week:⠀
Wat Phra Mahathat Woramahawihan becomes Thailand’s newest World Heritage Site; Fort Cornwallis and the Penang State Museum reopen with fresh questions about how colonial and local histories are told; and at Don Yai Thong, archaeologists continue the careful work of lifting fragile burials, gold ornaments and all.⠀
⠀
Also featuring Muna rock art, Angkor conservation, Butuan boats, Cham exhibitions, Bagan finds, and archaeology’s awkward cameo in South China Sea claims.⠀
⠀
Read via the link in bio.⠀
⠀
#SoutheastAsianArchaeology #Archaeology #WorldHeritage #Museum #CulturalHeritage #Thailand #Malaysia #Penang #Indonesia #Cambodia #Vietnam
  • This week in Southeast Asian Archaeology: Prambanan gets some renewed attention, Phimai Black pottery surfaces at Mun Bon Dam, and I’m taking a short break next week.⠀
⠀
The featured stories look at the new Indonesia–India conservation project at Prambanan, focusing on the temple complex’s ruined perwara shrines, and a striking Late Prehistoric find in northeast Thailand: a remarkably complete Phimai Black vessel discovered as water levels fell at Mun Bon Dam.⠀
⠀
Temples, pottery, reservoirs, and a little scheduled rest. Back again on 27 July.⠀
⠀
Read this week’s newsletter: [link in bio]⠀
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#SoutheastAsianArchaeology #Archaeology #Heritage #Prambanan #Thailand #Indonesia #Cambodia #Vietnam #CulturalHeritage #Substack
  • Gold rings, bronze drums, ancient burials, and better ethics in bioarchaeology — this week’s Southeast Asian Archaeology newsletter is a two-week catch-up edition.⠀
⠀
The lead story comes from Don Yai Thong in Phetchaburi, Thailand, where excavations have revealed gold ornaments, bronze drums, burials, beads, pottery and more. One newly reported gold signet ring bears Brahmi script, raising interesting questions about status, ritual and long-distance connections in the region.⠀
⠀
Also featured: a new paper on ethical collaboration when working with human remains in Southeast Asia — a timely reminder that care, respect, training, authorship and local authority are all part of good archaeological practice.⠀
⠀
Read the latest issue through the link in bio.
  • Cobbles, Caves and Committees 🪨⛰️📜⠀
⠀
This week’s Southeast Asian Archaeology newsletter moves from UNESCO heritage diplomacy to synchrotron science in Malaysia’s Nenggiri Valley, and then back into deep time with Early Palaeolithic cobble tools from Cambodia’s Mekong terraces.⠀
⠀
Cover image: Wat Phra Mahathat, Nakhon Si Thammarat — because temple towers do improve most things.⠀
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Read the latest issue at the link in bio.⠀
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#SoutheastAsianArchaeology #Archaeology #Heritage #Cambodia #Malaysia #UNESCO #WatPhraMahathat #NakhonSiThammarat #CulturalHeritage
  • This week in Southeast Asian Archaeology: broken pots, painted hands, and returning relics.⠀
⠀
The main story is a new paper on Angkorian ceramics from Thala Borivat and Sambor, showing how Angkor’s eastern Mekong provinces were connected through roads, rivers, rapids and local choices — not one neat supply chain.⠀
⠀
Also featured: Tham Pha Mue in Laos opens to visitors, a site I studied and helped document; Cambodia welcomes the return of three sculptures from the US; plus updates from Bujang Valley, Mỹ Sơn and Bagan.⠀
⠀
Read this week’s issue: https://bit.ly/3QjsdVO ⠀
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#SoutheastAsianArchaeology #Angkor #Cambodia #Laos #RockArt #Archaeology #Heritage #Mekong
  • Boats, pots, and prehistoric know-how this week at Southeast Asian Archaeology.⠀
⠀
In the new newsletter:⠀
🛶 outrigger boat motifs in Sulawesi rock art⠀
🏺 new perspectives on pottery in Timor-Leste⠀
👑 the restored Nguyen Dynasty throne⠀
🎟️ falling ticket sales at Angkor⠀
⚖️ a new book on archaeology and Philippine law⠀
⠀
#Archaeology #SoutheastAsia #Heritage #RockArt #TimorLeste #Indonesia
  • Brunei’s archaeology does not get nearly enough attention.⠀
⠀
For this bonus post, I’m looking at Kota Batu Archaeological Park, the site of Brunei’s old capital. It is not a spectacular ruin in the usual sense — no towering temples, no monumental gateways — but its fragments tell a fascinating story: tombs, ceramics, sandstone pillar bases, river defences, house posts, imported wares, and traces of a working port city.⠀
⠀
Kota Batu shows Brunei not as a quiet corner of Southeast Asian archaeology, but as part of the maritime world that linked Borneo with China, Vietnam, Thailand, the Philippines and beyond.
  • This week’s Southeast Asian Archaeology newsletter is about movement, adaptation, and why archaeology is rarely as tidy as we pretend.⠀
⠀
Inside:⠀
🏹 a new review of bow-and-arrow evidence from India to Oceania⠀
🪙 a study of how Roman materials were filtered and remade in Southeast Asia⠀
🌊 new work on maritime links between Angkor and China during the megadrought period⠀
⠀
Also this week: Angkor palace waterworks, the Cẩm An shipwreck, and the reopening of Phimai National Museum.⠀
⠀
Link in bio / https://bit.ly/4dV88wS ⠀
#SoutheastAsianArchaeology #Archaeology #Heritage #Angkor #Vietnam #Thailand #Cambodia #AncientTrade #MaritimeArchaeology
  • New this week in Southeast Asian Archaeology: the Plain of Jars, trade beads, burial rituals, Philippine obsidian, coastal watchtowers, public archaeology, and a museum rethink of the galleon trade.⠀
⠀
The lead story is a new paper from Laos, where one huge jar at Site 75 contained the remains of at least 37 people and hints at a long, careful mortuary tradition. From there, the issue moves across the region, with a particularly strong run of stories from the Philippines on exchange networks, local histories, and the stories archaeology tells in public.⠀
⠀
Jars, beads, boats, and the occasional inconvenient fact. https://bit.ly/3RqKWyW ⠀
⠀
#SoutheastAsianArchaeology #Archaeology #Heritage #Laos #Philippines #Museums #PublicHistory
  • This week: Đồng Dương, ancient Champa, broken bricks, border temples, Buddhist architecture on the move, and a reminder that archaeology is rarely just about the past.⠀
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Link in bio / read here: https://bit.ly/4ePHSpL ⠀
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#SoutheastAsianArchaeology #DongDuong #Champa #Vietnam #Cambodia #Thailand #Myanmar #Archaeology #Heritage
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Nalanda and the Southeast Asian connection

17 November 2007
in Indonesia, Malaysia, Peripheral Southeast Asia, Southeast Asia
Tags: Asian Civilisations MuseumBalaputra (person)BuddhismBujang ValleyDevanegari scriptexhibitionsFaxian (person)IndiaMahayana BuddhismmonksmuseumsNalanda copperplateNalanda UniversityNational Museum of SingaporeNew Delhi (city)Palembang (city)Sailendra DynastySanskrit (language)Srivijaya (kingdom)Suvarnadvipa (toponym)Theravada BuddhismYijing (person)
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Nalanda and the Southeast Asian connection

If you’re in Singapore between now and March 2008, don’t miss a unique opportunity to drop by the Asian Civilisations Museum for a special exhibition called On the Nalanda Trail, which showcases Buddhism in India, China and Southeast Asia and traces the pilgrimages of three Chinese monks as they travel to India and back. I’ve written about the exhibition’s focus on China and India at yesterday.sg; here, I’ll write about the exhibition in relation to Buddhism in Southeast Asia.

We start at the mid-point of the exhibition, which brings us to Nalanda, the ancient university and centre for Buddhist learning between the 5th and 12th century. Nalanda was one of the earliest residential universities, with dormitories for students and at its height saw some 10,000 students and 2,000 teachers learning a variety of disciplines from Buddhism to astronomy and mathematics.


Creative Commons photo by dorje-d

One of the exhibition’s highlights is this copperplate inscription from Nalanda University, which has a strong Southeast Asian connection:

The inscription, dated to 860 AD and written in Devanegari and proto-Bengali script, states that a king of Suvarnadvipa (Sumatra) names Balaputradevi gave an endowment for Nalanda. The inscription also notes that Balaputradevi was part of the Sailendra dynasty in Javabhumi (Java, to the east).

Notice the crest of Nalanda, which is a wheel flanked by two deer:

Nalanda became the brewing pot of several flavours of Buddhism, notably Vajrayana Buddhism, which is now commonly known as Tibetan or tantric Buddhism, and Mahayana Buddhism which was widespread in Southeast Asia until Theravada Buddhism became dominant in mainland Southeast Asia after the 11th century.

On the Nalanda Trail features an impressive collection of artefacts, many on loan from the National Museum in New Delhi, India as well as some other museums in the region. In my post about Bujang Valley in Kedah, I had focused more on the later-period Hindu ruins and artefacts. Now I know I featured so few Buddhist artefacts – they were all on loan to this exhibition!

The first picture is some of the items found in the reliquaries that were buried in the candi at the Bujang Valley. The second is one of the many clay votive tablets that were found in the Buddhist ruins:

The third monk featured in the Nalanda Trail is another aspect of this exhibition that has strong Southeast Asian connections. Unlike the other two monks Faxian (399-414) and Xuanzang (629-645), Yijing (671 – 695) made the journey to India via the sea route, passing through Champa and Srivijaya enroute to Nalanda where he spent 10 years.

On his way back to China, Yijing spent six months in the Srivijayan capital (probably Palembang) where he learned Sanskrit, where he also commented and recommended future pilgrims to make a stop there because of the high quality of education. In fact, Yijing’s account is one of the earliest ones to identify Srivijaya in historical records.

On the Nalanda Trail is a great, not-to-be-missed exhibition. I’ve focused solely on Southeast Asia here, but I haven’t even scratched the surface on the remarkable specimens of Nalanda International Style of art that made its way to Southeast Asia, and of course the other highlights of the exhibit including rare Dunhuang paintings and even bone relics that are closely associated to Buddha himself! These footprints here are some of the earliest representations of Buddha – that’s right, they are aniconic.

SEAArch would like to thank the National Heritage Board of Singapore and the Asian Civilisations Museum for the permission to shoot and publish these images online. On the Nalanda Trail is on from now until March 2008. Admission is $10 for adults and $5 for students and senior citizens.

Related Books:
– Buddhist Art: Form & Meaning by P. Pal
– Reading Buddhist Art by M. McArthur
– The Buddhist World of Southeast Asia (Suny Series in Religion) by D. K. Swearer
– Sriwijaya: History, religion & language of an early Malay polity by G. Coedès and L. Damais

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Comments 2

  1. N. says:
    19 years ago

    excellent! wish i were there to see this for myself. maybe it’s time for me to go back… 🙂 you sound like you’re having fun! and keep up the good work!

  2. noelbynature says:
    19 years ago

    thanks! glad you liked it. there’s another exhibition on Indian art at the National library, so hopefully I can make it there and write something about it as well. yeah, you should come back! the Nalanda Trail is going to be on until March!

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