Hundreds of Buddhist antiques which have been stored in a temple in Da Nang City for many years will be exhibited to the public on December 24 for the first time.
The municipal People’s Committee decided to establish the Buddhist Cultural Museum as a place to display the antiques in the Quan The Am Temple, Ngu Hanh Son District, by the end of 2014. This is the first Buddhist Culture Museum in Viet Nam.
Huynh Dinh Quoc Thien, deputy director of the Da Nang Museum, said they accidentally discovered a “treasure-house” of about 500 objects, with more than 200 antiques which were assessed at the Quan The Am Temple.
“We sent experts to study this large number of antiques with assistance from the temple’s monks,” said Thien.
My friend Nancy Beavan organised an exhibition at the National Museum in Phnom Penh on her work investigating the jar burials of the Cardamom Mountains. It’s on for a few months, so be sure to check it out!
The remote and mysterious Cardamom Mountains are giving up some of their secrets – burial jars and wooden coffins – to the public as part of an exhibition that begins today at the National Museum.
After a decade researching the mysteries of the Cardamom Mountain people, Nancy Beavan, a senior research fellow at New Zealand’s University of Otago and an expert in radiocarbon dating, will be exhibiting her findings as part of the “Living in the Shadow of Angkor” project at the museum.
The project seeks to broaden the breadth of understanding of Cambodian history outside of the Angkor period.
The exhibit will be the first time the public can see how the immense project began. In a separate room in the museum, one can see the recreation of the hoard of burial jars and a dozen coffins hidden on a ledge in remote jungles of Cambodia – which have stayed secret for centuries.
More than half a millennium before Ferdinand Magellan reached the archipelago now called the Philippines in 1521, a number of related societies thrived there. Little is known about them. They left no enduring architecture, monuments or literature. One thing is certain, however: They were astoundingly skillful goldsmiths.
The star of the show and the biggest piece is a gleaming sash that could be mistaken for a futuristic ammunition belt. Made of myriad gold beads, it’s designed to be worn over one shoulder, across the chest and to the hip where one end threads through a loop and concludes with the setting for a now lost finial. Nearly five feet long and square sectioned (about an inch on a side), it weighs about nine pounds.
Another striking piece, called a kamagi, consists of 12 necklaces strung together into a nearly 15-foot-long chain punctuated by small, colored stones. The individual necklaces are composed of smooth, interlocking beads that combine to form flexible, snakelike lengths of gold.
A possibly 1,800-year-old pottery vessel unearthed over a quarter of a century ago in northern Taiwan was recently put back on display at New Taipei City-based Shihsanhang Museum of Archaeology.
Dug up in 1989 at Shihsanhang Archaeological Site in Bali District, the red-brown earthenware object with a human face on its body is the only one of its kind found in Taiwan. Experts consider the piece to be a burial item, indicating the existence of religious rituals on the island during the Iron Age.
SMA Director Wu Hsiu-tzu said one of the distinctive characteristics of the vessel is the pattern comprising circles and dots on its collar and bottom. “But what really stands out is the expressive face, with its slit-like eyes, protruding eyebrows, delicate mouth and large ears.”
When Filipino worker Berto Morales was digging on a government irrigation project in 1981, he literally struck gold. But what he found that day was worth more than its weight—he had uncovered evidence of a lost civilization.
On Friday, Asia Society New York unveiled its exhibition Philippine Gold: Treasures of Forgotten Kingdoms, displaying more than 100 gold artifacts on loan from the Ayala Museum and the Central Bank of the Philippines in Manila. Most objects trace back to the Kingdom of Butuan — a still scarcely understood civilization centered on the island of Mindanao that rose to prominence in the 10th century before mysteriously declining in the 13th. But it took more than seven centuries for the objects to be found, and once they were, they wouldn’t be seen in the West for another several decades.
Gold has always factored into the history of the Philippines, a country still estimated to have as much as $1 trillion worth of untapped deposits beneath its surface. And despite what little is known about Butuan some aspects of its society clearly revolved around the precious metal.
When the exhibit of gold artifacts from the Philippines opens at the Asia Society Museum in New York City next month, visitors will be astounded by the quality and intricacy of the pieces. The fact that they date from the 10th to the 13th centuries should be even more cause for amazement.
This is the first time that these pre-colonial gold objects, on loan from the collections of Ayala Museum and Bangko Sentral ng Pilipinas (BSP), will be exhibited in the United States.
“Philippine Gold: Treasures of Forgotten Kingdoms” opens Sept. 11 and will run until early January 2016.
A trove of Philippine gold from Butuan province, usually on display at the Ayala Museum in the Philippines, will be exhibited at the Asia Society in New York from this September to January next year. Having seen them before I must say the gold pieces are quite exquisite, but it is a pity there is very little contextual information to them.
About 120 gold artifacts mostly from the golden age of Butuan, a city in the Southern Philippines, will be on display at the Asia Society Museum in New York beginning September 11.
Ancient Filipinos in Kingdom of Butuan had a sophisticated culture with a fine taste for handcrafted gold items during the 10th and 11th centuries.
“The Filipinos, before they were called Filipino, were making beautiful, artistic, exquisite jewelry from gold. So it’s like King Tut of Egypt being discovered and coming to the Metropolitan Museum. Everybody went to see it. This is our King Tut,” said Community leader and philanthropist Loida Nicolas-Lewis.
Organizers of “Philippine Gold: Treasures of Forgotten Kingdoms” were recently at the Philippine Consulate in New York to promote the exhibit.
“We are aiming for spectacular, not just a special this fall,” Tom Nagorski, executive vice president of Asia Society said.