• Boats, pots, and prehistoric know-how this week at Southeast Asian Archaeology.⠀
⠀
In the new newsletter:⠀
🛶 outrigger boat motifs in Sulawesi rock art⠀
🏺 new perspectives on pottery in Timor-Leste⠀
👑 the restored Nguyen Dynasty throne⠀
🎟️ falling ticket sales at Angkor⠀
⚖️ a new book on archaeology and Philippine law⠀
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#Archaeology #SoutheastAsia #Heritage #RockArt #TimorLeste #Indonesia
  • Brunei’s archaeology does not get nearly enough attention.⠀
⠀
For this bonus post, I’m looking at Kota Batu Archaeological Park, the site of Brunei’s old capital. It is not a spectacular ruin in the usual sense — no towering temples, no monumental gateways — but its fragments tell a fascinating story: tombs, ceramics, sandstone pillar bases, river defences, house posts, imported wares, and traces of a working port city.⠀
⠀
Kota Batu shows Brunei not as a quiet corner of Southeast Asian archaeology, but as part of the maritime world that linked Borneo with China, Vietnam, Thailand, the Philippines and beyond.
  • This week’s Southeast Asian Archaeology newsletter is about movement, adaptation, and why archaeology is rarely as tidy as we pretend.⠀
⠀
Inside:⠀
🏹 a new review of bow-and-arrow evidence from India to Oceania⠀
🪙 a study of how Roman materials were filtered and remade in Southeast Asia⠀
🌊 new work on maritime links between Angkor and China during the megadrought period⠀
⠀
Also this week: Angkor palace waterworks, the Cẩm An shipwreck, and the reopening of Phimai National Museum.⠀
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Link in bio / https://bit.ly/4dV88wS ⠀
#SoutheastAsianArchaeology #Archaeology #Heritage #Angkor #Vietnam #Thailand #Cambodia #AncientTrade #MaritimeArchaeology
  • New this week in Southeast Asian Archaeology: the Plain of Jars, trade beads, burial rituals, Philippine obsidian, coastal watchtowers, public archaeology, and a museum rethink of the galleon trade.⠀
⠀
The lead story is a new paper from Laos, where one huge jar at Site 75 contained the remains of at least 37 people and hints at a long, careful mortuary tradition. From there, the issue moves across the region, with a particularly strong run of stories from the Philippines on exchange networks, local histories, and the stories archaeology tells in public.⠀
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Jars, beads, boats, and the occasional inconvenient fact. https://bit.ly/3RqKWyW ⠀
⠀
#SoutheastAsianArchaeology #Archaeology #Heritage #Laos #Philippines #Museums #PublicHistory
  • This week: Đồng Dương, ancient Champa, broken bricks, border temples, Buddhist architecture on the move, and a reminder that archaeology is rarely just about the past.⠀
⠀
Link in bio / read here: https://bit.ly/4ePHSpL ⠀
⠀
#SoutheastAsianArchaeology #DongDuong #Champa #Vietnam #Cambodia #Thailand #Myanmar #Archaeology #Heritage
  • This week in Southeast Asian Archaeology: a remarkable burial find in Phetchaburi, an old perahu under review in Kelantan, and the Po Nagar festival in Vietnam as a case of living heritage in action. ⠀
⠀
https://bit.ly/48PAeI5 ⠀
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#archaeology #southeastAsia #southeastasianarchaeology
  • The Ayala Museum’s Gold of Ancestors exhibition showcases over a thousand gold objects, many originating from Butuan and the Surigao Treasure and generally dated to the 10th–13th centuries CE. These pieces demonstrate the Philippines’ participation in extensive regional trade networks and the high level of craftsmanship achieved before Spanish colonisation.

#southeastasianarchaeology #philippines #ayalamuseum #surigao #butuan
  • A quick visit to the National Museum of the Philippines earlier this week, particularly to the National Museum of Anthropology. Here are my 5 highlights.

Have you been to the National Museum in Manila? What are your favourite pieces?

#manila #philippines #nationalmuseum #archaeology #southeastasianarchaeology
  • From Angkor wall repairs and Óc Eo museum plans to Preah Vihear restoration politics and Sulawesi cliff burials, this week’s newsletter rounds up Southeast Asian archaeology with context. Subscribe for the stories behind the headlines.

https://bit.ly/4w8870M
  • 20 years ago I started Southeast Asian Archaeology with a few blog posts.⠀
It somehow turned into a weekly newsletter read around the world.⠀
Reflections, AMA, and what readers want next: ⠀
https://bit.ly/4cNZVKi⠀
Tuesday, June 9, 2026
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The ancient script of Southeast Asia – Part 2

20 June 2007
in Indonesia, Malaysia, Singapore
Tags: Bali (island and province)documentary heritageepigraphyexhibitionsinscriptionIslamJawi scriptMajapahit (kingdom)National Library of IndonesiaNational Library of SingaporePararaton (literary work)Singapore StoneSinghasari (kingdom)Singosari (district)Terengganu (state)Terengganu Inscription StoneTerengganu Sultanate
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The ancient script of Southeast Asia – Part 2

In this second part of the Ancient Script of Southeast Asia (click here for part 1), we’ll explore two more exhibits from the Aksara: The Passage of Malay Scripts exhibition at the National Library of Singapore. These two pieces are from Terengganu in Malaysia, and Java in Indonesia.

The first exhibit, the Terengganu Scripted Stone, stands at the mouth entrance between the Sacred Writings gallery and the Islamic gallery. Anyone who’s visited the Terengannu State Museum (where the original sits) or the National History Museum in Kuala Lumpur would instantly recognise this Terengganu Stone. I hear it also features in the Malaysian history textbooks as well.

Discovered in the late 19th century, the Terengganu Inscribed Stone, or Batu Bersurat, dates to the 14th century and is the oldest evidence for Islam in Malaysia. The script used is Jawi while the language is Malay, and the inscription describes a set of Islamic laws, as well as proclaiming Islam as the state religion. As to which state this may be remains unclear – the region of Terengganu was known to be under the influence of Srivijaya as late as the 13th century, while the Terengganu Sultanate only dates as far back as the 18th century. The stone is inscribed on four sides, although it probably would have been larger – as you can guess, the top portion of the stone has been broken off and is probably lost for all time…

I was surprised that these “venetian blinds” were not mentioned in the exhibition guidebook. While they may look like a set of ancient venetian blinds, they are actually a collected set of palm leaves on which a Balinese script is written. This is the Pararaton, or the Javanese Book of Kings, which is on loan from the National Library of Indonesia. Given that the Pararaton was written in palm leaves, I was surprised to see a copy in such good condition.

Here’s a closer look at the Pararaton and the Balinese script. As one can guess from the name, the Javanese Book of Kings describes the events during the rule of the kings of the Singosari kngdom and Majapahit Empire which was centred in Java. Although the date of this particular copy is unknown, the Pararaton was first written at the end of the 15th century. Like its Malay counterpart the Sejarah Melayu (the Malay Annals), the Pararaton is a mix of myth, legend and historical events, which make some of its contents suspect when using it as a source for historical events. Unlike the Malay Annals, the Pararaton is made more difficult to read accurately because the record of kings and nobility mentioned in it are referred to by title rather than name!

Strangely enough, the Aksara exhibition did not feature the only ancient inscription from Singapore: the Singapore Stone. The Singapore Stone is a sad page from the local book of archaeology: this inscribed boulder once stood at the mouth of the Singapore River and may have potentially been the very same stone mentioned in the Malay Annals, but early in Singapore’s modern history, the British decided to blow up the stone in order to widen the mouth of the Singapore river. Only fragments of the stone remain, one of which is exhibited in the permanent collection of the National Museum of Singapre and to this date remains undeciphered.

Well, these are only some of the highlights from the Aksara: The Passage of Malay Scripts exhibition going on at the Singapore National Library. I’ve only chosen to focus on some of the ancient inscriptions, and there are many more ancient examples of writing, as well as galleries featuring other Malay writings in more modern times. The exhibition finishes its run at the end of this month, so if you’re in Singapore, don’t miss this opportunity to catch it! Go now before it’s too late! (And don’t forget to catch the Saturday guided tours at noon and 1 pm!)

SEAArch would like to thank the National Library Board, Singapore for the permission to take photographs in this exhibition.
Books featuring ancient Southeast Asian scripts and inscriptions:
– Uncovering Southeast Asia’s Past: Selected Papers from the 10th International Conference of the European Association of Southeast Asian Archaeologists by E. A. Bacus, I. Glover and V. C. Pigott (Eds)
– Southeast Asia: From Prehistory to History by P. S. Bellwood and I. Glover (Eds)
– The Pararaton by I Gusti Putu Phalgunadi

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Comments 1

  1. sundalander says:
    16 years ago

    Pararaton is one book that became the source of the history of the kingdoms in Java, especially Singhasari up to the Majapahit era. But, the contents of Pararaton very subjective. Contains more of the glory of each dynasty was in power at that time.

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